No wonder her time to get angry has passed. Tyutchev

Winter is getting angry
Her time has passed
Spring is knocking on the window
And drives from the yard.

And everything fussed
Everything forces Winter out -
And larks in the sky
The alarm has already been raised.

Winter is still busy
And grumbles at Spring.
She laughs in her eyes
And it only makes more noise...

Wicked witch pissed off
And, capturing the snow,
Let go, run away
To a beautiful child...

Spring and grief is not enough:
Washed in the snow
And only became blush,
Against the enemy.

Analysis of the poem "Winter is not without reason angry, its time has passed" by Tyutchev

F. Tyutchev did not publish his poems for a long time. Being in the diplomatic service and being a respected and wealthy person, he considered his literary creations to be fun and a way to distract himself from serious state affairs. He was forced to publish his poems by the persistent requests of his friends, who highly appreciated the talent of the novice poet. Among these "light" sketches was the poem "Winter is not without reason angry ..." (1836), which Tyutchev included in a message to his friend. It was never published during the poet's lifetime.

A distinctive feature of the work is its spontaneity and easy colloquial style. The poet did not think at all about how the reading public would perceive him. He was not going to show the poem to anyone but a friend. Subsequently, technique, complex images, and philosophical reflections appeared in the poet's work. So far, he hasn't been connected to anything. His inspiration knew no bounds and flowed freely.

The poem resembles a Russian folk tale. At least, there is a confrontation between good and evil in the images of Spring and Winter. Tyutchev does not accidentally name the seasons with capital letters. Before us are living magical characters, showing ordinary human feelings and experiencing human sensations. The author brings to life the world with the help of numerous personifications (“angry”, “laughing”, “busy”).

The fairy tale is woven into life thanks to the appearance of larks, which, for good reason, enter into the struggle of Spring with Winter. This struggle personifies the first signs of the awakening of nature, the troubles of winter are night frosts and cold winds, and the laughter of spring is the spring murmur of streams and the singing of birds. Very figuratively Tyutchev describes the final snowfall. Defeated Winter throws a handful of snow at the "beautiful child". But this hopeless last attempt comes to nothing. Last snow melts quickly, allowing Spring to wash and become even more beautiful.

“Winter is not angry for nothing ...” is a wonderful example of Tyutchev’s landscape lyrics, not yet shackled by the critical remarks of the poetic world. It does not carry any semantic load, therefore it is perceived surprisingly easily and freely. Few poets, not only of the 19th century, but also in our time, can boast of such a simple, but at the same time artistically verified style.

“Winter is angry for a reason…” Fyodor Tyutchev

Winter is getting angry
Her time has passed
Spring is knocking on the window
And drives from the yard.

And everything fussed
Everything forces Winter out -
And larks in the sky
The alarm has already been raised.

Winter is still busy
And grumbles at Spring.
She laughs in her eyes
And it only makes more noise...

Wicked witch pissed off
And, capturing the snow,
Let go, run away
To a beautiful child...

Spring and grief is not enough:
Washed in the snow
And only became blush,
Against the enemy.

Analysis of Tyutchev's poem "Winter is not without reason angry ..."

Thanks to a successful diplomatic career, Fyodor Tyutchev lived abroad for almost 20 years, where he discovered a craving for romanticism. This was facilitated not only by a passion for literature, but also by the opportunity to communicate directly with outstanding German poets. By that time, Tyutchev himself had already written very sophisticated poems and published them in Russia under various pseudonyms, believing that a diplomat had no right to publicly advertise his hobbies. Nevertheless, it is precisely the early work of this poet that boasts an abundance of works related to landscape lyrics. Among them is the poem "Winter is not without reason angry ...", created in 1836. The poet sent it in a letter to his friend Prince Gagarin in the form of a sketch, but this work was published only after the death of the author.

The peculiarity of this poem is that it was written not in the “high calm”, to which Tyutchev resorted from time to time, but spoken language, with the help of which at that time the yard peasants spoke. However, this should not be attributed to the whim of the poet. It's just that Tyutchev, being hundreds of miles from Russia, tried to reproduce a picture familiar from childhood, when spring comes into its own, and winter still does not want to leave. Naturally, the desired effect in the work could be achieved only if it was written in a simple and unpretentious style, bordering on primitivism. Therefore, this poem does not carry a special artistic load, however, with its help, the author managed to very accurately convey that borderline state of nature, when one season replaces another.

The poet points out that the time of winter has already passed, and now "spring is knocking on the window." However, her rival shows enviable persistence, not wanting to give way to previously won positions so easily, she is “angry”, “still busy” and hopes to turn back the clock. But this is impossible, since everything around indicates the imminent arrival of spring, which “laughs in the eyes” of its rival, continuing to breathe life into frozen rivers and fields, enliven forests and fill the air with an amazing aroma. The poet compares her with a beautiful child who has a magical gift to transform the world around her. Winter is depicted by Tyutchev as an angry and grouchy old woman who is trying in any way to maintain her power and even goes so far as to throw snow at her rival. But this trick does not help, since spring "only became a blush in defiance of the enemy."

Fedor Ivanovich Tyutchev is a personality, unequivocally historical, and he is known not only in the literary circles of our Fatherland, but all over the world his name is remembered and revered, and the works of this great author are not only re-read repeatedly, but also taught by heart, and even quoted on the cultural events. It is believed that the century in which Tyutchev lived and created his masterpieces was not filled with great personalities in literature, although knowledgeable people, for sure, such a position is not confirmed or approved. However, even if we take into account such an impartial point of view, it becomes obvious that it was Fedor Ivanovich Tyutchev who made a simply colossal contribution both to the development of the literature of his time and to the formation of all modern world literature as a whole.

Why did the author become so famous, what was his path and why is his work "Winter not for nothing angry" is still on everyone's lips? Perhaps the answers to all these questions lie in the author's biography, in the twists and turns of his fate, and perhaps also in the personal life of Fyodor Ivanovich Tyutchev himself. In any case, in order to answer all these questions, you need to familiarize yourself with how to short biography poet and writer, and with one of his most popular works.


Tyutchev was one of the few who truly sincerely and sincerely loved his native state, never forgot about it, even while living in a foreign land - perhaps this was another factor for his works to become so sincere, filled and close to understanding to a simple Russian man of his world and for the understanding of the Russian soul to a foreigner.

Important details of the biography of Fedor Ivanovich Tyutchev

In the Tyutchev family on December 5, one thousand eight hundred and three, a joyful event for the whole family and a long-awaited event for its individual members took place - an heir was born, whom they decided to call the old Russian name Fedor. The boy was born in the family estate in the most favorable conditions for living, and at first he studied here - all this helped him from an early age to receive a decent education, which in those years was available only to the wealthiest citizens. Here Fedor Ivanovich also showed an unlimited craving for quality education- the boy read excitedly and without respite absolutely everything that came to hand, and, thanks to his teacher and main mentor, the boy also showed interest in fiction, which he could read long evenings, sitting on the veranda or in the library chair.

Love for literature led Tyutchev to the fact that even in the most early years he became interested in Latin - and here his teacher helped him, who fully supported the student's interest, helped him master the basics and even delve into the subject, and helped him so much that already at a fairly young age Fyodor translated odes and other serious works of foreign authors, and did it skillfully and with the skill inherent in him from childhood.

The craving for creativity in Tyutchev's life manifested itself in the earliest years, and this was the first bell informing everyone around about the extraordinary mindset of the young guy, as well as his obvious genius. In addition to the craving for education, Tyutchev had an amazing memory, which helped him remember everything. important details not only from childhood, but also from all further, rather difficult, life.

In the early years of Tyutchev, education was popular mainly among the stronger sex - and, most likely, this was what drove the parents who attracted the young man to study with such persistence, because an intelligent and educated person had the opportunity for a great future, had his own opinion on everything that happened around and was considered a worthy member of high society. But even without parental control, the boy learned faster than his peers, because his successes were noticed at the beginning of his journey.

Fedor Ivanovich considered home education for himself only initial stage long and difficult path, and already in 1817 Moscow University accepted the genius of his time as a volunteer at lectures on Russian literature. It is here that he not only receives a lot of valuable knowledge in the amount that he considers acceptable for himself, but also gets acquainted with a lot of interesting fields that fully share his interests in the field of literature, self-development and writing skills. Here he becomes a member of a society of interests, the main focus of which is Russian literature, and they accept him here with an open mind - the writer's talent is appreciated in all circles at once.

Here, in a foreign land, Fedor Ivanovich meets his first wife, Eleanor, with whom he promises to be near both in grief and in joy. Unfortunately happy family life apparently, fate itself prevented it from happening. Once, while traveling from St. Petersburg to Turin, the ship on which the Tyutchev family was traveling suffered a serious wreck, everyone who was on the ship became direct participants in the rescue operation - they say that Ostrovsky himself saved the Tyutchev family, who by chance also ended up in this travel. A tender and weak woman could hardly endure such severe stress, and very soon after her arrival home, Eleanor became very ill. Quite a bit of time passed before the sad moment of her death, which happened right before the eyes of the writer - they say that Fyodor Ivanovich's hair became covered with senile gray hair overnight, and the stress that he experienced from the death of his wife is difficult to compare with other shocks throughout his life.

Despite this sad event, Fedor Ivanovich did not lose interest in life - very soon he introduced his new wife Ernestina, with whom, according to contemporaries, his romance began long before the death of his first wife. Interestingly, Ernestina also lost her husband quite early - he died from an unpleasant, but very common disease at that time, and bequeathed to Tyutchev to look after his wife. Perhaps it was the common grief that brought the two lonely people so close, and it was this that gave them a chance for a happy future together.

Despite a successful and really rapidly developing career, in 1839 Fyodor Ivanovich was forced to leave his service abroad and go to the country that he loved so passionately and so often sang in his works. Here he was caught by the real Russian winter, which he missed so much on the trip, and the warmest, brightest spring, about which Fyodor Ivanovich speaks with such warmth and all-consuming love.

Poem by Fyodor Ivanovich Tyutchev “Winter is angry for a reason”


Winter is getting angry
Her time has passed
Spring is knocking on the window
And drives from the yard.
And everything got busy
Everything forces Winter out -
And larks in the sky
The alarm has already been raised.
Winter is still busy
And grumbles at Spring.
She laughs in her eyes
And it only makes more noise...
Wicked witch pissed off
And, capturing the snow,
Let go, run away
To a beautiful child...
Spring and grief is not enough:
Washed up in the snow
And only became blush
Against the enemy.

The poem “Winter is angry for good reason” was written by Fedor Ivanovich Tyutchev just at the time when the writer traveled a lot around the world. It shows everything that a Russian person needs and wants to see, who sincerely misses his beloved homeland. Tyutchev in a poem convinces the reader that such a beautiful early spring it can only be in your native country - here is both a spring drop and the long-awaited warmth.

It is interesting that the seasons in this poem by Tyutchev are presented with bright and lively images - each season has its own, special character, which is fully consistent with the weather at this time of the year. Winter is an evil witch who frightens with her severe frosts, covers cities with snow and hides them from people's eyes, and spring is a young lady who only smiles and has fun.


Such images are pleasant and easy to perceive for any inhabitant of our country, regardless of age - children easily remember the lines from the work, because the poem itself resembles good fairy tale with a happy ending, and adults get the opportunity to plunge into the world of childhood and innocence, when everything was still easy and understandable.

Of course, Tyutchev left behind just a colossal legacy, which is interesting today for the most different categories citizens. Among his works there is a wide choice of directions, which is available to anyone:

landscape lyrics

love lyrics

Civic lyrics

The memory of the writer not only does not decrease, but every year it becomes more and more global - Fedor Ivanovich is immortalized in a variety of monuments, entire alleys and streets are named after him, and schoolchildren read his works with pleasure, which are an invariable and integral part of the school curriculum.
Thanks to the actions that Fedor Ivanovich performed during his lifetime, the memory of him and his work are always alive in the hearts and souls of his admirers and connoisseurs of his work.

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