Tiffany bottle glass lampshade. Do-it-yourself Tiffany lamps from Spectrum Glass pieces

The mention of the Tiffany brand invariably evokes associations of luxury, grace and an atmosphere of aristocracy. Distinctive features of the style are the presence of turquoise color and smooth lines in the interior, Tiffany chandeliers will become an organic addition to the exquisite design of the room. The history of the origin and modern solutions of the Tiffany style, options for using chandeliers of the same name in the interior of various rooms and an overview of popular models will help you better understand the characteristic features of the popular design trend.

The origins of the style

Extraordinarily beautiful chandeliers based on the original Tiffany technology appeared at the turn of the 19th and 20th centuries and became prominent representatives of the Art Nouveau style. Tiffany Lewis grew up in an aristocratic family, the atmosphere of the surrounding luxury served as fertile ground for the development of the talent of a designer and artist. He excelled in the field of creating unique interiors and stained glass lighting fixtures. Chandeliers and lampshades, made using our own technology, are widely used in our native continent and internationally recognized.

Until today, Tiffany's creations delight with their sophistication. The Art Nouveau style, in which he worked in the design of aristocratic interiors, received his name. Also referred to as chandeliers and other lighting fixtures made of stained glass. Each chandelier model is unique and beautiful in its own way. The traditional stained glass technique involves applying colored pieces to the base surface; Tiffany chandeliers are made by soldering the pieces with a thin metal frame.

In addition to lighting fixtures, turquoise can be considered a hallmark of style. The origins are the company's tradition of packing luxury jewelry in exquisite turquoise-colored boxes with a blue tint. Additionally, they were tied with white ribbons. The memorable decor was patented and assigned to the Tiffany brand.

Creativity Tiffany L.K. and is still of interest to art historians, and collectors highly appreciate the original floor lamps and chandeliers created by the great master. And although the interiors designed by the artist have not survived to this day, the ideas of style are actively used by modern designers.

Characteristics of modern products

The century-old history of Tiffany has turned the originals of its products into rarities, but chandeliers using a similar manufacturing technology are still relevant today. They organically fit into the interiors of modern and classicism, romantic and country. The lampshades have retained their design inspired by nature: they are still decorated with dragonflies and butterflies, leaves and exotic flowers. Geometric figures on chandeliers are much less common.

The historic model of the Tiffany style chandelier can be found at high-end auctions and in antique dealers' collections. To the modern eye, the specimen, previously considered the height of sophistication, may seem rude and reeking of philistinism. But the idea of ​​creating a chandelier based on stained glass is alive and relevant, therefore it is present among the assortments of many manufacturers of lighting fixtures.

Luxurious Tiffany-style luminaires, made using advanced technologies, have acquired new touches:

• Traditional colored stained glass can have different effects and light transmission. Classic transparency is enhanced with mottled, matte and striped details.
• In addition to stained glass technology, painting and fusing are used in the design of Tiffany chandeliers. A non-standard technique consists in connecting multi-colored elements by sintering, due to which the original pattern is obtained without a metal frame.
• Uncomplicated forms of shades are decorated with elegant forging, patinated or gilded decorative elements.
• A pendant chandelier is not always suitable for a modern interior with a frame ceiling. Therefore, the designers have developed built-in models in the Tiffany style, with the possibility of replacing light bulbs by dismantling the ceiling.

Popular products in the Tiffany style successfully combine the aristocracy of past centuries and the high quality of modern technology. Characteristic features of lighting fixtures:

• long period of operation;
• originality of style;
• saturation of colors;
• the ability to use in the interiors of rooms with various functional purposes.

Vivid examples of exquisite lamps in the photo below:

Tiffany style in the interior

Elegant chandeliers are not the only legacy of Tiffany that has survived to this day and is well-deservedly popular with posterity. The interior in the Tiffany style is extraordinary and refined, it is still interesting for designers.

The style features are as follows:

• The combination of innovative materials in furniture and surface finishes with vintage decor elements (vases, clocks, paintings).
• The presence of stained glass windows in the style of "Tiffany" with a demonstration of landscapes. Natural motifs are usually saturated with bright colors.
• Forged products and designer gizmos will organically fit into the interior.
• The Tiffany style can be considered an offshoot of the Art Nouveau trend, so furniture with sharp corners and straight lines is avoided in the setting.

  Attention! The epitome of luxury and an essential attribute are Tiffany lamps. Ceiling chandeliers are complemented by floor lamps and table lamps.

• Door and window openings are made in the form of arches.
• In the finishing of surfaces and decorative textiles, there are floral ornaments and ornate patterns.
• Panels, mosaics and large mirrors organically complement the Tiffany style.
• The interior is dominated by pastel colors. Marine turquoise is combined with white, sand and cream shades.

In addition to the Tiffany style, stained glass lamps look organic in other interiors. For them, the ethnic atmosphere of country and Provence, comprehensive eclecticism and intricate art deco are suitable. The approach when choosing a Tiffany chandelier, a floor lamp or a sconce for a living space depends on its functional purpose.

Living room. Paired sconces made in stained glass technique, which have a similar compositional solution with a hanging chandelier, will look relevant. This technique is also relevant for other rooms, including the kitchen. Attention is focused on the compact size of the lamps and their emphasized decorative effect.

Bedroom. The main goal when designing a rest room is to achieve an atmosphere of tranquility that maximizes relaxation. The classic ceiling chandelier is complemented by a stained glass floor lamp that can be easily moved to another room. Table lamp "Tiffany" is convenient when reading books. Subdued and soft light from the stained glass elements allows you to achieve the desired effect of tranquility in the interior.

Children's. To fill the children's room with fabulous colors, a Tiffany-style night light will help. A classic imitation of a flower or an extraordinary copy of a mini lamp in the form of a turtle, gently diffusing light, will distract the child from sad thoughts and quickly lead him into the world of dreams.

Depending on the glass processing technique, chandeliers and other lighting fixtures in the Tiffany style are in different price categories. In addition to exclusive expensive items, you can pick up budget models that can effectively decorate the interior of a living space.

Options for using stained glass lamps in the interior of the kitchen

The most organically stained glass ceiling chandeliers look in the interiors of kitchens. To fully enjoy the charm of Tiffany-style lamps, custom-made models will allow. The registration process consists of the following steps:

• A sketch is being prepared taking into account the specific interior of the kitchen.
• A blank is formed on the basis of the outlines of the future chandelier.
• Details of the required sizes are cut out of colored glass.
• Each element is processed along the edge with metal foil.
• The parts are soldered together by hand.
• On the inside, the lampshade is additionally glued.

This completes the laborious process of creating an exclusive chandelier.

Comment! The Tiffany chandelier for the kitchen does not provide bright lighting, so the interior of the room needs additional light sources.

The design of individual zones with identical lighting fixtures will fill the room with comfort and create an incredibly calm homely atmosphere.

Dining area. The stained glass chandelier can be located in the central part of the kitchen or move to the dining area. This solution is relevant if it is necessary to delimit the working space and the eating area. If there is a bar counter in the furniture of the kitchen, it will be successfully identified by a chandelier model, where several shades are arranged in a row.

Work area. The need for high-quality lighting requires a careful approach when choosing the color design and shape of Tiffany-style lamps. Preference is given to light-colored lampshades; any pastel shades are welcome, including milky white. The main task is to achieve full lighting with a chandelier in every corner of the cooking area.

Space for relaxation. Design with Tiffany style elements implies luxury and comfort. For a cozy corner, a chandelier is suitable, in which individual inserts are combined with interior details. Here it is appropriate to use glasses of saturated and dark tones. The lampshade of the chandelier can be recruited from small parts or unclear glasses.

Comment! Increasing the number of ceiling elements by reducing their size leads to an increase in the cost of an exquisite chandelier.

Chandeliers in the style of "Tiffany" belong to the elite category of decor items, so they need a suitable background. The light plain ceiling and the same surface finish will effectively emphasize the beauty of the stained glass product. Dark furniture will add elegance to the style.

The drawings on the ceiling of the chandelier are selected taking into account the dominant style in the interior of the kitchen:

• For classics, geometric shapes are acceptable, which allow you to create a lampshade of the correct shape. Decorating a chandelier with ornaments or floral motifs is accompanied by strict symmetry.
• A distinctive feature of the Art Nouveau style has always been chandeliers depicting dragonflies and butterflies, as well as the presence of plant motifs.
• village theme country and provence tends towards simplicity. Therefore, lampshades of chandeliers will organically decorate images of fruits.

Chandelier "Tiffany" for the kitchen will not become a burdensome piece of decor in terms of maintenance and cleanliness. The main task is to regularly remove dust; during general cleaning, you can use glass cleaners. The metal elements on the chandelier are made of copper foil or tin, so they are not afraid of moisture and are not subject to corrosion processes.

Overview of popular models

The original stained-glass window from Tiffany is always unique. But according to the sketches of the most successful models of chandeliers, identical copies of lamps are still created. So you can become the owner of a luxurious piece of decor, the cost of which in the original exceeds one hundred thousand dollars.

"Poppies". The wide ceiling of the Tiffany chandelier has a conical shape, its edges are framed by neat bricks. The brightest poppies are complemented by leaves made from the smallest fragments of glass.

The Daffodils model, made in the Tiffany style, looks no less impressive. The dome of the chandelier is densely dotted with spring flowers. The volume and expressiveness of the stained glass lamp is achieved by unique color transitions. Green, yellow, white - the main colors of the lampshade in the Tiffany style.

Successfully complement the interior of the kitchen in an oriental style chandelier "Tiffany" "Salamander". Bright orange outlines of the animal on a shimmering yellow-violet background, a pattern that evokes associations with Arabic script, all the smallest elements of the chandelier organically fit into the style of oriental design. The smallest fragments of glass resemble semi-precious stones.

Another continuation of the natural motifs of the Tiffany style is the Broom model. Initially, the sketch was intended for a table lamp, in which the leg imitated a tree trunk. Subsequently, the luxurious curly crown was used for hanging chandeliers.

The original of the famous Tiffany lamp "Wisteria" was once sold at auction for 1.5 million USD. This masterpiece of stained glass art is one of the five most expensive chandeliers in the world. The smallest elements of glass fragments, which form smooth color tints from deep blue to pale lilac, help to achieve an incredible resemblance to a tropical plant.

The floral motifs of the Tiffany style are no less vividly reflected in the Pink Lotus model.

All copies of Tiffany lamps are worthy of attention and will become an accent area in the interior of the room.

No stained glass technique or style is perhaps as famous as Tiffany stained glass. The products of the American designer made of glass are recognizable even by people who are absolutely far from arts and crafts. Original stained-glass windows, jewelry, lampshades, vases and paintings have been setting the tone for stained glass for more than a hundred years. Large and small, flat and voluminous Tiffany stained-glass windows can become an exquisite decoration of almost any interior. What is their secret?

Photo 1 - Tiffany stained glass lamps

Features of stained glass Tiffany

Technology

The classic stained glass technology, which has been used for centuries, involved the use of a lead rod to connect individual panes. Large-scale stained-glass windows could be made in this way, but small items of fine workmanship could not. In addition, the manufacture of lead-soldered stained-glass windows is quite harmful work due to fumes. Therefore, Louis Tiffany suggested using copper tape instead of lead.

The author's technology involved pasting each glass element with copper foil and soldering them together using tin. Tiffany stained glass can also be made by combining lead and copper.

Photo 2 - Tiffany stained glass door by Galamosaic

materials

Various types of glass have been used in the creation of stained-glass windows for centuries, but in order to embody complex multi-color plots, it was necessary to use finer details or painting with paints. Tiffany set out to enhance the decorative abilities of the glass itself, and his experiments with various additives were crowned with success.

However, the hallmark of Tiffany's stained glass is several special types of glass, which are not the invention of the eminent designer, but popularized by him.

Important! Tiffany glass or opal glass in its appearance resembles the color of the stone of the same name. Thanks to special additives, it becomes cloudy and has an interesting light refraction effect.

Iridescent glass is characterized by an iridescent metallic sheen, obtained by powdering the cooling glass with metal crumbs.

Photo 3 - Opal and iridescent glass on a fragment of a Tiffany stained glass window

Sketches

Tiffany's stained glass and stained glass products are distinguished by their own style, formed within the framework of Art Nouveau. It is characterized by natural motifs and bright colors, picturesqueness without the use of painting and borderline plots between reality and stylization, modernity and past centuries.

Pictures of Tiffany stained glass windows have become a classic, inspiring new work in modern style. At the same time, stained glass "in style" and stained glass "in technique" by Tiffany should be distinguished. The Tiffany style, conveyed by plot, line, shape, color, texture, can also be implemented in other stained glass techniques, such as false stained glass. Just like the Tiffany technique, it can be used to make stained glass in other styles.

Photo 4 - Scenic stained glass in the style of Tiffany

Tiffany stained glass: order or do it yourself?

As we have already decided, you should not be upset, considering that since the interior is not in the Art Nouveau style, there is no place for Tiffany's stained glass in it. In this technique, a stained glass window of any style can be made. Then a reasonable question arises: order a Tiffany stained glass from a master or do it yourself.

The more complex the desired product and its installation, the more likely it is to use the services of professionals. It is one thing to make a stained glass picture or a stained glass window in an interior door, and quite another to create and install a large stained glass window.

Photo 5 - Funny figurines made in the Tiffany technique from Palmyra Art

At the same time, you can create a Tiffany stained glass window with your own hands. But you need to be prepared for the fact that copper foil and special glasses are far from everything for stained glass. Special equipment is not needed (except for a glass grinder), but tools for cutting and breaking glass, a soldering iron, soldering tin, flux, a brass or steel profile for making a frame, patina, etc. will be required. It is better to try yourself as a stained-glass window on small items.

Tiffany stained glass, master class:

$ Tiffany stained glass. Price

A stained-glass window is a work of art, expensive materials and painstaking work, and, accordingly, its cost is rather big. Tiffany stained-glass windows (price in Moscow) cost about 25,000 rubles per square meter. Kyiv prices are at the level of about 6500 hryvnia per 1 sq. m. m.

Lamps, there are no number of them. On the one hand, a purely utilitarian item - "electric light continues our day" and all that sort of thing, on the other - a spectacular interior detail that involuntarily attracts attention. It is no coincidence that any lamps are a worthy application of forces, so to speak, of designers and a fertile ground for the implementation of creative ideas. A bare light bulb on a wire is not very inspiring, except for supporters of interior decoration in the spirit of “obscene repair”, a kind of punk, you know - walls made of non-plastered bricks, partitions made of chain-link mesh. In other, more common cases, light bulbs as a light source are somewhat cultivated. It is customary to equip them with lampshades - a kind of design that properly distributes and directs light, for example, directing it to a work surface that prevents it from getting into the eyes. It is much more pleasant to keep such lamps near you - there is no feeling of an operating room or an interrogation room. Yes, in large “general lighting” lamps, a kind of light diffuser is often used - as a rule, it is a lot of glass elements - an Indian from the Mumba Yumba tribe becomes numb. Generally speaking, for lampshades in particular and for the design of lamps in general, what materials are not used, but, perhaps, it is glass that just suggests itself, because of some of its properties. Transparency comes first. Skillfully using it (her), you can create very worthy gizmos.

Since glass was mentioned for decorating lamps, it is impossible not to recall such an area of ​​\u200b\u200blife as stained glass. There are several techniques for making stained-glass windows, of course we are talking about glass, and not about crafts made from colored adhesive film, which are simply a profanation of the very idea of ​​a stained-glass window. Yes, and so, there is, among other things, a technique for making stained glass, which is quite suitable for relatively small products with quite complex curved edges for mating glasses. The work can be done in a rather complex form. All this makes it possible to make beautiful lampshades - stained glass windows. The technique itself is called "Tiffany", after the name of the one who invented it and is now quite popular.

Generally speaking, the process consists in creating a stained-glass window pattern - “cardboard”. The contours of the individual elements are transferred to the corresponding glass colors and relatively roughly cut out with a glass cutter. After that, the edges of the glasses are ground and adjusted to each other on a special grinding machine with a diamond tool. Then, the edges of the glasses are pasted over with a thin copper foil with a sticky layer, the glasses are folded into a pattern and soldered. In essence, everything.

Generally speaking, any stained glass window looks best in transmitted light - when the light source is behind it, and in this sense, using it (stained glass) as a lampshade is an excellent idea. When using Tiffany's stained glass technique, the shape of the finished product can be quite bizarre, but getting a hemisphere or a shape close to it, more or less normal in size, is not at all difficult. You just have to take care of a convenient form for work in advance. There are several more common forms of lampshades (lamp designs) of the stained glass type, with a somewhat simplified form, which, nevertheless, allow one to appreciate the merits of the idea. Moreover, such simplified lamps can have undoubted advantages, for example, a lamp-picture is located simply on the wall, occupying a minimum of space, it is very original, finally.

Venerable craftsmen do not disdain such lamps, for example, at the exhibition of the Japanese master Ichiro Tashiro, such lamps occupy a fair part of the exposition.

The first experiments in stained glass business, it is worth starting with a flat design because of its extreme simplicity.

What was used in the work.

Tools, equipment.
When making a stained glass window, you cannot do without some special tools - the main and most expensive of which is with accessories. You will also need special tools -,. It is convenient to cut stained glass elements with a special glass cutter for curvilinear cuts - its head is much narrower, it is more convenient to work with. Here, you can also include a good thin felt-tip pen, drawing on glass with a thin rod, it is important that its trace is not washed off with water (on a grinder). Of the usual tools, you will need scissors, to sweep away the glass crumbs formed when cutting and biting off glass, a wide paint brush with a tin box came in handy. You need access to a computer with a color printer. To fix the finished glass elements, small carnations or tailor's pins came in handy. Tiffany's stained glass technique involves a lot of soldering - you will need a fairly powerful soldering iron 60 ... 100W with accessories, preferably equipped with at least the simplest temperature controller from a series-connected dimmer. Flux brush. You should take care of good lighting of the workplace - a pair of table lamps will come in handy.

Materials.
In addition to the colored glass itself, a piece of thick plywood or chipboard was needed - a little larger than the dimensions of the future stained-glass window, pieces of linoleum of the same size - a soft base into which it is convenient to stick pins. Useful thin "sausage" polyethylene. Adhesive tape, special copper foil with an adhesive layer. Solder, acid flux, chemicals to set the patina of the desired color, as well as some special ones for stained glass. A solvent, such as acetone or alcohol, "steel wool" may come in handy. Cotton rag. Four slats with small carnations, for the "border" of the future stained glass.

As a matter of fact, everything starts with a sketch of a stained-glass window and emerges into a “cardboard”. This is a finished sketch, life-size, from which they draw, sculpt or cut glass. To be used as a stained-glass window, the drawing must meet some specific requirements - its parts should not be too complex, too thin. Otherwise, they will be difficult to cut and fit. It is better to break large and complex fragments into several simple ones, but without fanaticism. It is difficult to draw a stained-glass window with very fine details, here you need to either use a mixed technique, for example, combine it with glass painting or “fusing” - the fusion of colored glass in an oven. In the general case, with a rather rough styling, you have to put up with it. However, this kind of sketches can also be quite expressive.

Colored stained glass, together with some specific stained glass materials (chemicals, copper foil), I ordered from special comrades who sell this kind of things. As a rule, they sell battles, fragments of stained glass, for small work, it is more convenient to order them.

The drawing was photographed for digitization. Now, if necessary, it can be printed in any quantity and any reasonable size - my printer prints A4 format, so I had to use the "poster" printing mode - the picture is divided into several sheets.

From one of the printed drawings I cut out templates - the contours of future elements. By the way, the border lines between the elements should be clear, but possibly thinner, this will give a minimum error when marking the elements on the glass and when processing glass, the edges of the elements will have to be turned less.

As a flat base, I used a piece of plywood with two layers of linoleum on top of it. With the size of the stained-glass window, no matter how significant it is, it is better to take the base evenly and firmly - for example, chipboard. Linoleum bedding is a miracle how good it is for sticking pins, they hold on quite firmly, sticking is easy enough. You will have to stick a lot of them, so the moment is important.

On top of the linoleum, I laid the printed drawing - “cardboard” and, to protect it from water drops, wrapped it with “sausage” polyethylene - when fitting the glass elements, they are grinded on a machine tool with a diamond, water-washed tool, and wet glasses have to be applied to the drawing - the inkjet printer ink blurs . By the way, that is why the felt-tip pen for drawing on glass must also be waterproof.

In general, the main process looked like this - I cut out several fragments from the “cardboard” printout so as not to get confused, the fragments were logically connected - petals, parts of a leaf, etc. Before cutting out, each fragment was numbered and this number was transferred to the general, whole drawing. The future stained-glass window is assembled from the wrong side, that is, on the colored glass located facing the “operator”, we turn the templates over with the reverse side. We outline the template with an alcohol indelible felt-tip pen, number it, cut it out. The photo shows a conventional roller glass cutter with oil supply. From a hardware store. It is not very convenient to cut curves for them, but it is possible. Then a special glass cutter with a narrow head got to me and it became more fun.

Tools and materials for soldering

In one of our articles, we already talked about the Tiffany technique, then we considered the possibility of making a stained glass window (see the article “Tiffany stained glass window”). In the same article, we want to tell the reader about a similar process, but with a different end result. So we will talk about how to make a lamp made of colored glass in the Tiffany style. It should be noted right away that this is a complex matter and will require from you not only skill, time and patience, but also proper materials and tools.
Let it not seem to you that such a lamp will not be expensive if you assemble it at home. In fact, this is also not a cheap hobby, but first things first.

Materials and tools for making a lamp made of colored glass in the style of "Tiffany"

Of the tools we need: pliers, a soldering iron, scissors, a hammer, a grinder, a glass cutter and our hands.

... grinding machine below ...

Of the materials, we will need to have: a copper tape with a self-adhesive base, solder, chemicals for better soldering and preventing oxidation after it. Textolite platinum, those that are used for the manufacture of electronic circuit boards. Of course, we need glass.

Glass for stained-glass windows, and in our case for a lamp, is used special. Such glass is designed specifically for the production of works in the style of "Tiffany". It should be noted that this glass is not cheap in Russia and the CIS countries, although in the “decaying” capitalist countries the price tag is an order of magnitude lower. So we have such glass with an area of ​​​​0.6-0.8 square meters. m can cost $ 70 apiece. That is why the production of such is not always cost-effective if you do it once.
So, having received the basic recommendations on tools and materials

The process of making a lamp from colored glass in the style of "Tiffany" with your own hands

The production of stained-glass windows using the Tiffany technique does not consist in bonding glass elements with a screed, glue or any other means and devices, but in soldering them with tin solder. Each piece of glass is turned to size, wrapped in copper tape, laid out in accordance with the pattern and soldered together. After that, the finished stained-glass window is covered with a patina. First of all, we decide on the future pattern and clearly outline the individual parts along which the glass will be cut further. Also, in order not to get confused, the elements on the template can be numbered.

We begin the preparation of glass elements. So when cutting glass, you need to have certain skills, which also do not come instantly. You can learn more about the process of cutting glass from the article "How to cut glass". Next, we give the glass the final correct shape, using a grinding machine for this.

We begin to try on and adjust the resulting elements of colored glass. The work is long, requiring accuracy and patience.

For basing the stained-glass window, it is possible to use guide rails.
After trying on the pieces of glass, we begin to glue each of them with copper tape, which has a self-adhesive base on one side, like mounting tape.

Now we collect the same ornament, but the glass is already framed with a copper tape. We fix the stained-glass window between the rails, we start soldering.

On the edges wrapped in copper foil, we apply soldering acid with a brush, melt the tin, which connects the elements together.

Be aware that acid fumes and fumes during soldering are very harmful to health, which is why it is necessary to work primarily in a respirator, as well as with good ventilation.
Turn the stained glass window over and solder the reverse side in the same way

So we solder (collect) all 4 walls of the lamp

We connect the walls to each other, first making the basing so that the walls are perpendicular to each other and the base on which they are installed.

For fastening the walls, it is possible to use copper wire, for soldering it into the seam. Thus, the assembly will be more brutal and strong. We make the cover by analogy with the walls. The only thing that the cover should differ from the walls in is that it should have holes (s) through which warm air from the light bulb will escape.

Solder the cover on the lamp.

To fix the plafond in the wooden base of the lamp, we solder a textolite support from below.

As a result, we get a long-awaited lamp that looks much better live than any, even the best photo, can convey to you.

A bewitching and magical atmosphere that constantly attracts the eye, especially in the evening, is guaranteed to you.